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GERMANICS
(COLLEGE OF ARTS & SCIENCES )

Enrl       Sect                                                                            Crs
Restr  SLN  ID Cred    Meeting Times     Bldg/Rm      Instructor  Status  Enrl/Lim Grades  Fee Other
 ?      ?       ?           ?             ?               ?         ?        ?       ?      ?    ?

         312      GRABBE,K    Open    16/ 25                   

         313      CHRISTIN,D  Open    14/ 25                   

         213      MOLNAR,K    Open    11/ 25                   

         313      MASUGA,K    Open     8/ 25                   

         205      KOERNER,M   Open     7/ 30  CR/NC            

         205      COX,G       Open     7/ 30  CR/NC            

        INTENS 2ND YR GERM

         316      EICHMANNS,G Open    10/ 25                   

 IS   > THESIS IN GERMANICS 

 IS   > INTERNSHIP

 IS   > UNDERGRAD RESEARCH

 IS   > STUDIES GERMAN LIT

         211      TILGHMAN,H  Open     9/ 20                   
                       IN THE LATE 19TH CENTURY, A SERIES                                                                                                             
                       OF SCIENTIFIC, MATHEMATICAL,                                                                                                                   
                       CULTURAL AND PHILOSOPHICAL                                                                                                                     
                       DISCOVERIES SET THE STAGE FOR WHAT                                                                                                             
                       WE NOW CALL MODERNISM. THE WORKS OF                                                                                                            
                       FREGE, BOLTZMANN, RIMBAUD, RILKE,                                                                                                              
                       FREUD, MAX PLANCK, BERTRAND RUSSELL                                                                                                            
                       EDMUND HUSSERL, LUDWIG WITTGENSTEIN                                                                                                            
                       ALBERT EINSTEIN, ARNOLD SCHOENBERG                                                                                                             
                       AND VASSILY KANDINSKY, AMONG OTHERS                                                                                                            
                       WERE INTERRELATED WITHIN THE                                                                                                                   
                       TIGHTLY-WOVEN FABRIC OF 19TH CENTUR                                                                                                            
                       EUROPEAN CAFES, SALONS, CABARETS,                                                                                                              
                       CORRESPONDENCE AND ACADEMIC                                                                                                                    
                       DISCIPLINES. READINGS IN GERMAN AND                                                                                                            
                       ENGLISH FROM DIVERSE DISCIPLINES.                                                                                                              

         112      BARTHEL,E   Open     2/ 20                   
                       THE ENLIGHTENMENT ASCRIBED TO ART A                                                                                                            
                       DISTINCTLY MORAL FUNCTION. THE TERM                                                                                                            
                       "ERBAUUNG" TARGETS THE MORAL                                                                                                                   
                       POTENTIAL OF THE INDIVIDUAL, AND                                                                                                               
                       SEEKS TO ADVANCE ITS SOCIAL                                                                                                                    
                       CAPABILITIES WHILE AT THE SAME TIME                                                                                                            
                       DIFFERENTIATING ART FROM THE MERELY                                                                                                            
                       ORNAMENTAL OR PLEASURABLE. SINCE                                                                                                               
                       KANT, THE INSTRUMENTALIZATION OF TH                                                                                                            
                       AESTHETIC HAS PROGRESSIVELY GIVEN                                                                                                              
                       WAY TO A DECIDEDLY NON-UTILITARIAN                                                                                                             
                       CONCEPTUALIZATION OF ART: AESTHETIC                                                                                                            
                       OBJECTS AND PRACTICES CONTAIN MORAL                                                                                                            
                       VALUE - AGAINST THEIR HISTORICAL                                                                                                               
                       CONDITIONING - PRECISELY BECAUSE                                                                                                               
                       THEY REFUSE TO MINISTER TO THE                                                                                                                 
                       SOCIAL SPHERE. THIS SEMINAR SEEKS T                                                                                                            
                       BRING INTO FOCUS THE ETHICAL CONTEN                                                                                                            
                       OF SPECIFIC AESTHETIC THEORIES AND                                                                                                             
                       INTENDS TO CHALLENGE THE MODERNIST                                                                                                             
                       VIEW OF A MORAL AUTONOMY OF                                                                                                                    
                       NON-UTILITARIAN AESTHETIC PRACTICES                                                                                                            
                       READINGS INCLUDE EXCERPTS FROM                                                                                                                 
                       GOTTSCHED, KANT AND SCHILLER AS WEL                                                                                                            
                       AS CONTEMPORARY WRITINGS.                                                                                                                      

 IS   > INDEPNDNT STDY/RSCH 

 IS   > MASTERS THESIS

 IS   > DOCTORAL DISSERTATN 

 IS   >

	Modified: September 27, 2005